July
14 is the 100th birthday of Woody Guthrie and as we go into this
Memorial Day-to-July4 time you are likely to hear about this repeatedly in the
media. Moreover, Guthrie is likely to be
treated as heroic, which leaves me a bit bemused. Born in Okemah in Okfuskee county (You’re a
true Okie if you can pronounce that quickly and show it on a map.) He died of
untreated Huntington’s disease in 1967, which causes dementia and absurd
behavior. An avowed communist, the Communist
Party USA wouldn’t accept him since he was a loose cannon. He became famous as the “Troubadour of the
Dustbowl” when he went on a cross-country trip with some Oklahoma farmers
trying to relocate in San Joaquin Valley and wrote many songs about it. Because of his music, the notion was
encouraged that Okies fled in mass to California during the dust bowl (an
enormous factual error), but with Steinbeck’s book it became ingrained in the
national consciousness and if you try to argue the facts people will dispute
you like you are a traitor to Well-known Facts About America. He went on to produce ballads full of blues for
the FDR propaganda films that were used to argue that Western Oklahoma, Texas
and Kansas should be made into a
national grasslands and the people run off the land. Such was progressivism. But I could never understand where
progressivism had any progress. Woody also wrote 174 columns for the communist
party newspaper, Daily Worker. Later he
sired 8 kids from 3 women and had a terrific wanderlust leaving families
behind. He eventually went to New York City where he was heralded as a true
down-to-earth American from Oklahoma, unlike most of the other communists
there.
He
is best known for ‘This Land Is Your Land’ a catchy tune and I-love-America
lyrics. The story of how this song came
about is an eye-roller of irony. Woodrow
Wilson Guthrie wrote the song in 1940 as an asinine spoof of “God Bless America”. A communist atheist, he naturally hated both
the lyrics and Kate Smith, the Songbird of the South who later sang it as a
patriotic moment during World War II. So
he wrote a sarcastic cynical ballad in which he borrowed the tune from a popular
Christian gospel song sung by the Carter Family at the time. To which he wrote lyrics about how awful
capitalist America was and then ended with the refrain “God blessed America for
me.” They were lyrics of how common people were routinely exploited and the
system was rotten. Not exactly a good
song for the patriotic nation in WW II.
Finally in 1944 he published it and no one noticed. After protesting the draft, then serving a
short stint in the merchant marine, he returned from the war and found his dust
bowl fame had disappeared. His career
started going downhill.
Then
in 1951 he got a chance to do a gig on a children’s television program. Television was a fledgling industry. And Guthrie wanted to sing God Blessed
America for Me. The producer of the show
listened and gagged. How could he sing
lyrics like this for children?
As I went walking, I saw a sign there,
And on the sign there, It said
"Private Property."
But on the other side, it didn't
say nothing!
That side was made for you and
me.
(You can see how ole’ Woody loved property rights.)
In the squares of the city, In the shadow of a steeple;
By the relief office, I'd seen my people.
As they stood there hungry, I stood there asking,
Is this land made for you and me?
The show director demanded Guthrie change the refrain. Change it or don’t do the gig. Woody needed money so he changed it. In keeping to those verses above he changed
it to “This land is made for you and me”
as a postive expression. But the director still choked over the lyrics continued to press Woody to change verses
until, with the above two verses deleted, it sounded like an inane song of love
of country.
This land is your land
This land is my land
From California to New York Island
From the Redwood Forests, to the
Gulf Stream waters
This Land was made for you and me.
Guthrie recorded it that way but
hated it. It caught on, made him famous, but he hated performing it. For he was
a writer of protest songs. Today it
stands as his singular work, a song with lyrics he was forced to write and tune
set to a gospel song he plagiarized and detested.
I keep
thinking irreverently, “maybe that’s what drove him crazy.”
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